Born 2004 in Shanxi, China. Lives in Guangdong now.
Bachelor of Fine Arts in Digital Media Art
2025, Love Is Her Oyster Pearl: G Art Museum, Fuzhou, China
2025, “Xiamen Oyster”, Xiamen Symposium on Marine
2024, “What Is in the Park_Screen”, ICl Open Museum,Xiamen University, Zhangzhou, China
2024, “Another ‘Hole’ World”, Museum of Modern Shopping , Xiamen, China
2024, “Live Only”, OPEN PARK Emerging Curatortrial Program, ICl Open Museum, Zhangzhou, China
2024, “Off-the-clock Activity”Self-organized Exhibition,Jinsha Public Beach, Zhangzhou,China
2023, “Stories from Elsewhere”, Herbert Read Gallery, UK
2023, Stuttgart International Festival of Animated Film, Germany
2023, Cinematheque Plate_A Certain Feeling for the Universe，Small File Media Festival 2023, Vancouver, Canada
Conducted cataloging and archival research of Neolithic artifacts, focusing on the materiality of prehistoric objects and their contemporary re-contextualization. Challenged traditional archival logic through speculative indexing, treating prehistoric vestiges not as historical artifacts.
Cultural Heritage Public Project, Yerevan, Armenia ---2025
Engaged in a cultural heritage initiative within a youth cultural community, exploring the intersection of post-Soviet memory and public space in Yerevan.
Sensory Ethnography of Yuegang Town (1620-1900) --- 2023
Collaborative research with the Department of Anthropology, Xiamen University. Reconstructed the invisible “sensory landscape” of the historical port through a non-linear analysis of maritime archives and piratical folklore.
Deciphered how early Christianity and trade networks functioned as sensory technologies, altering the auditory and visual perception of the coastal environment.
A Socio-Cultural Study of Human–Marine Species Contact | Xiamen University --- 2023/2024
Collaborated with the School of Life Sciences and the College of Ocean and Earth Sciences, Xiamen University, to conduct interdisciplinary bio-sampling and sensory analysis of marine specimens. Analyzed the oyster as a “biological sensor” and calcium- based mediator, treating its shell as a living archive that encodes the metabolic friction between maritime social structures and marine ecology.
Organized an interdisciplinary art collective to execute a series of site-specific performances in public coastal zones ---2025
Orchestrated an open-ended, ludic framework (game-based exploration) deconstructing the rigid “programs” of urbanized coastal space. Facilitated “Luckey Quarter” sessions, utilizing non-linear narratives and sensory triggers to evoke the latent memories of the site and its transient human/non-human inhabitants.
Teaching Assistant at Xiamen University ---2023/2024
Assisted in the “Portrait” course as peer teacher, providing conceptual guidance and technical support to lower-year students. facilitated academic discussions and material preparation.
Curatorial Project (OPEN PARK Emerging Curatorial Program) Co-curator --- 2024
Collaborated under the OPEN PARK program to curate the exhibition “live only,” overseeing spatial layout, artist coordination, and the production of curatorial texts.